Norman Brown & Sheléa


The joy that emanates from guitarist Norman Brown while he is playing is palpable. The guitar is simply an extension of him. The multi-platinum selling and chart-topping musician is an artist who is truly in service of the music with the goal to be a force for positivity. “I wish to be of service to my fellowmen as I journey through life,” he explains. “I look upon my work as an opportunity to be overcome with joy and to make the most of it. I want to inspire others to search inside themselves for the silver lining. We all have an opportunity to grow in gratitude for our lives and the blessings we have.” A dedicated meditation and Tai Chi practitioner, Brown confides that there are definite parallels between his practice of the aforementioned Ancient Art and his music. Brown reveals that it comes down to one thing – “balance.” With all of the accolades that Norman Brown has amassed the past three decades, including Grammy and Soul Train Music Awards, he has stayed the course for one reason. “Knowing that I’ve been commissioned by the Most High to channel a message of inspiration and motivation, brings me happiness,” he states. The Atlanta-based musician’s love affair with the guitar began at age eight. Watching his older brother play, Norman was drawn to the energy radiating from what he now calls his “Spirit Catcher,” the strings on the guitar. Waiting for his brother Roy Brown Jr., “Popsicle” to leave, Norman couldn’t wait to get his hands on his six-string carefully stored in the closet. Luckily for us, Brown’s love affair with the guitar is still going strong. His technical wizardry, genre-bending facility, soulful finesse, and charisma, have made him one of the most sought-after internationally renowned musicians in Contemporary Jazz. Just ask his devoted and loyal fan base affectionately dubbed ‘Normantics.’ A musician’s musician, Brown has collaborated with everyone from George Benson, Brian McKnight, Kirk Whalum, and Miki Howard, to Jeff Lorber, Gerald Albright, Rick Braun, Peabo Bryson, and Chanté Moore, to name a few. Shanachie Entertainment VP of Jazz A&R, Danny Weiss, states, “At the risk of being blasphemous, Norman is the true successor to Wes Montgomery and George Benson. Like them, he’s a jazz musician of the highest order, but you hardly notice because you’re having so much fun listening to him.” At the core of Brown’s life and work are the 11 laws of God, the principles of universal law and wisdom from the Ancient Egyptian Spiritual Studies, The Ausar Auset Initiation System, “The Paut Neteru Of Anu,” The Tree of Life, which focuses on peace, harmonious unification, wisdom, spirit power, order and truth, balance, justice, free will, creativity, thoughts and morality, manifestation and devotion for divine earthly living.

From the moment she became a buzzed-about up-and-comer her heart-tugging self penned “Love Fell On Me” (the end credits theme to the romantic comedy, “Jumping the Broom”), singer/songwriter/keyboardist Sheléa snapped up the attention and support of music’s most powerful icons, including Quincy Jones, Stevie Wonder, David Foster, Narada Michael Walden, Ricky Minor, and Dave Koz. The depth of emotion she plumbs via her vocal interpretations, her composing and her piano playing has been steadily making her an artist to be reckoned with across the top shelf f the ‘beyond category’ international pop music spectrum. This lead to her debut album love fell on me (Breath of Life Records – 2013).

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